Sean R. Smith
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The Panasonic HVX-200 has gotten a lot of attention in the two years. Since its release in 2005 this camera has gone from a dream to a reality for many larger studios and indie filmmakers. The 200 came at a time when ENG HD cams were not a reality for many producers and shooters. The camera turns out great quality, most of the time, at a Wal-Mart price. Now, I’m not one to relate much to Wal-Mart, but in this chase the camera (compared to ENG cams) is a steal. I could spend three weeks talking about everything this HD miracle machine has to offer – however, I will stick to how it relates to post workflows and processes.

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